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The film has a few connections to Star Wars that are worth exploring, but for the purposes of the opening crawl, let’s just look at its trailer.īecause, while Flash Gordon Conquers the Universe and Buck Rogers certainly have familiar-looking opening crawls, the Forbidden Planet trailer - with its yellow, scrolling, tilted text on a starfield background - is even more striking.
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I wanted to take ancient mythological motifs and update them – I wanted to have something totally free and fun, the way I remembered space fantasy.”īut Flash Gordon and Buck Rogers weren’t the only space fantasies to leave an impression on Lucas.Ĭonsider Forbidden Planet, the sci-fi classic (starring a pre- Airplane Leslie Nielsen) that Lucas saw on his twelfth birthday. I decided at that point to do something more original.
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“I realised that Flash Gordon wasn’t the movie I wanted to do if I had done it, I would’ve had to have Ming the Merciless in it - and I didn’t want to have Ming the Merciless. That is, you start out being faithful to the original material, but eventually it gets in the way of the creativity. “I realised that Flash Gordon is like anything you do that is established. I could never make any kind of studio deal with that. They said they wanted Federico Fellini to direct it, and they wanted 80 per cent of the gross, so I said forget it. “I’d been toying with the idea, and that’s when I went, on a whim, to King Features. “I tried to buy the rights to Flash Gordon,” Lucas said in JW Rinzler’s The Making of Star Wars. In fact, it was a failed attempt to make a Flash Gordon film that led Lucas to create Star Wars. “Loving them that much when they were so awful, I began to wonder what would happen if they were done really well. “Of course I realise how crude and badly done they were,” Lucas told interviewer Alan Arnold for his book, Once Upon a Galaxy: A Journal of the Making of The Empire Strikes Back. He could see the flaws in them - but he could also see the potential.
![create a star wars intro create a star wars intro](https://polarnotion.github.io/starwarsintro/img/star-wars-intro.png)
Lucas didn’t necessarily look at these old serials with rose-coloured glasses.
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We didn’t have a TV set, so I used to go over to a friend’s house, and we watched it religiously every night.” “I’d watch them and say, ‘This is fantastic!’ There was a television program called Adventure Theatre at 6 o’clock every night. “One of my favourite things were Republic serials and things like Flash Gordon,” Lucas told Starlog in 1981. Adventure Theatre, which debuted in 1956 (when Lucas was 12 years old), re-broadcast vintage movie serials on TV.
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Lucas didn’t see these serials at the movies, but on television. It’s as good a time as any, then, to take a look back at where the opening crawl actually comes from, and how essential it really is for telling a Star Wars story.įirst, let’s get the part that everyone already knows out of the way - the crawl is, of course, a nod to the Flash Gordon and Buck Rogers serials of the 1930s that George Lucas grew up with. For Lucasfilm, it’s simply a way to distinguish this first spin-off movie from the “saga films”, but for some fans, it’s tantamount to a betrayal - a break from tradition for which there can be no justification. The absence of a crawl in Rogue One has been a controversial topic, to say the least. Of course, the idea for the film originated with an opening crawl - it's literally the story of the Rebel spies mentioned in the first paragraph of the first Star Wars film’s opening crawl - and Lucasfilm has confirmed that it will be the first live-action Star Wars feature film not to have a crawl of its own. The discussion about Rogue One always comes back to opening crawls. Star Wars fans, striking from social media accounts, are engaged in battle over the question that divides the galaxy - can a Star Wars film work without an opening crawl? This is the true story of the most iconic text in film. There's more to the opening crawl of Star Wars than just Flash Gordon and Buck Rogers.